Voice Power.
The Care and Feeding of the Professional Voice
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Whether it's the rich, resonant tones of Richard Burton, the
breathiness of Marilyn Monroe or the nasality of Fran Drescher,
the sound of the voice conjures up an image—an impression—and
can influence perception.
"You should think
of the sound of your
voice as inhaling the
words and letting them
reflect in the space
behind you. Vowels
shape the voice.
You inhale the
sounds rather than
projecting them." |
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—Len Cariou
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Speakers know how to use the voice for effect but don't always
use the voice effectively. This can cause a variety of illnesses
which can prevent speakers from doing what they do best—speak.
One of the bigger problems for professional speakers is
laryngopharyngeal reflux, an inflammation near the back part of
the larynx due to acid rising to that point. Thirty-five million
people in the United States have acid reflux.
"This inflammatory condition causes the vocal folds to function
less efficiently leading to vocal fatigue and poor projection,"
states Dr. Thomas Murry, clinical director, professor of speech
pathology in otolaryngology at the Voice and Swallowing Center
of Columbia Presbyterian Medical Center, Columbia University.
Reflux is most common among speakers because so many speakers
are on the go, stressed and may have poor diets. Being aware of
the symptoms of reflux can help speakers take preventative steps
to take care of the problem.
The big five symptoms are:
Noticing that you have some of the above symptoms is one step
you can take to begin to alleviate the problem.
Preserving the Voice
To preserve the voice, don't talk over noise or constantly clear
your throat. Instead, Murry recommends the silent cough
technique.
The silent cough technique is a way to clear the throat without
violently banging the vocal folds together. The silent cough is
done by breathing in air and blowing the air out fast through
your throat and mouth without making a sound. Immediately after
the silent cough, you should tuck your chin down toward your
chest and make a strong swallow. The silent cough often clears
mucous that clings to the vocal folds or near them. The silent
cough is an important element of vocal hygiene and helps to
prevent unnecessary trauma to the vocal folds. It is especially
important to use the silent cough after surgery to the vocal
folds.
If the symptoms of reflux continue, go to the doctor before the
problem becomes severe.
Another common physical voice problem is vocal paresis, a
weakness in one or both vocal muscles manifesting in breathiness
or fatigue. Both folds must come together symmetrically to
produce a clear, resonant voice. Vocal paresis can be caused by
a flu or viral infection. When the nerve is inflamed, the
condition can last for six months to a year, causing the speaker
to change habits to adjust to the inflammation. A monotone may
be an indicator of a minor defect or partial paralysis. Also,
speakers who have difficulty projecting could have some vocal
fold asymmetry. Tape yourself and listen to how you sound. Also,
be aware if you find people asking you to talk louder. This may
be an indication that you are suffering from vocal paresis.
Breathiness and Hoarseness
If you are part of a speakers circle, have one meeting dedicated
to voice quality. Often what you think is normal may actually be
an indication that something needs to be checked out. If you
have women in the group, note if they speak in a breathy manner.
Women are more inclined to get polyps or nodules, which are
growths that prevent complete closure of the vocal folds and
create breathiness. "In females, the back part of the vocal
folds never completely closes due to the way they are formed. So
the female voice is always going to be a little bit more breathy
than the male's because of anatomy," states Murry.
If you are suffering from breathiness, take action and get
checked out. It is always better to be safe than sorry. The
definition of the term "frustrated and feeling sorry for
yourself is to wake up to find that you're hoarse when you have
a big speaking engagement.
When hoarseness is the problem, first determine that there is no
hemorrhage. Then start a process of hydration and steam.
Speakers should travel with a facial steamer. When staying in a
dry hotel room, opera singers use them every hour for five
minutes. Alternatively, you can make boiling water in your
coffee pot, pour it into the ice bucket, and throw a towel over
your head to reap the benefits of steam.
To avoid becoming hoarse, avoid alcohol, chocolate and caffeine
before a speech. They will dehydrate the mucous membranes,
causing hoarseness. Finally, after an all-day motivational
program, get plenty of rest and drink lots of water. Before you
climb into bed, toss out those mint chocolates on your pillow;
they are a double whammy because the mint relaxes the lower
esophagus and allows acid to come up.
Keeping the Voice Healthy
To keep the voice healthy, Renee Grant Williams, author of Voice
Power (AMA-COM), recommends drinking eight glasses of water a
day, avoiding dairy products and eating a balance of protein and
carbohydrates. She also recommends practicing "safe speaking" by
using disposable hand sanitizers to clean off telephone
mouthpieces.
Your voice is a precision instrument that needs to be assessed
regularly. If there is a change in your voice for two
consecutive weeks or you experience excessive coughing, see an
otolaryn-gologist who specializes in throats. When surgery won't
solve the problem and you have a weakness in the cords, or there
is a pathology, you need a speech pathologist.
"Nobody should see a speech pathologist unless they've had a
good strobo-scopic examination," warns Murry. A video chip
flexible stroboscope is a new technology used to examine the
vocal folds. It takes pictures and slows down the motion of the
vocal folds for better viewing and diagnosis. If the anatomy is
healthy and you need to learn how to use your voice properly,
see a voice coach.
To prepare for your presentation, you use your intellectual
muscles. To maintain your physical health, you exercise your
body's muscles. To prepare to speak, you need to prepare your
voice. "The most important thing to know," cites Murry, "is that
just like the legs and arms of a football player, the vocal
folds are muscles that can get weak, injured and tired."
Jeanette Lovetri, one of the world's top specialists in training
professional singers and founder of the Voice Workshop and
Somatic Voicework, believes, "The more vocal fitness, the more
the voice stands up to stress."
The goal of working with a voice trainer is to get the
instrument to have more efficient responses. Just as runners
have physical trainers, speakers need voice coaches.
Murry recommends practicing the three Ps: Posture, Placement and
Pitch.
Posture:
Hips over the legs, shoulders down, jaw relaxed, tongue forward.
Placement:
Your voice is coming out of the bell of your head and not from a
little tube in the throat. Imagine the sound coming out of the
end of a French horn and not out of the tubes of the horn.
Pitch:
Experiment with different pitches to see which one brings out
the best "ring" or resonance once you have the proper posture
and placement.
Once you know where your speaking voice is, you can calibrate
your voice with these five-minute warm-up exercises:
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Breathing down low in the chest
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Humming to match to the best quality possible
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Lip trills
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Tongue trills
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Syllable drills (puh tuh kuh/ buh duhguh) to warm up
tongue/jaw motion
For training the speaking voice, Lovetri recommends singing.
"Professional singing is two to five times more demanding than
professional speaking. It's a very effective tool to shorten the
amount of time it takes to develop the voice. Be sure that the
instructor is working from a "physiologic place and not just
from a musical place," she cautions.
Lovetri shares, "The key to vocal fitness is good breathing and
relaxed but dynamic use of body parts. Most people don't breathe
adequately. To project your voice, torque up your breath."
Twila Thompson, director of The Actors Institute in New York,
concurs. "The voice is created in the breathing, not in your
throat." She suggests that speakers, "Practice breathing into
the belly, pushing it out like a balloon, holding it for five to
10 seconds, then letting air go out with a sound for five to 10
seconds."
Another method she recommends for maximizing the voice on stage
is "connecting with the audience and having an intention to
reach them with every word you say." Thompson advises, "What is
your intention in giving the talk? Should they think
differently, challenge something? Having that intention is more
than 50 percent of the issue."
Len Cariou, actor, singer and Broadway star of Sweeny Todd,
shares how he maximizes his voice by exercising the lower
extremities. He says, "By contracting the legs and buttocks, it
focuses the tension in the lower body and frees the speaker to
sustain the voice and speak freely." Cariou says preparing the
voice is also about articulation. "You should think of the sound
of your voice as inhaling the words and letting them reflect in
the space behind you. Vowels shape the voice. You inhale the
sounds rather than projecting them. Good diction allows one to
speak at any level of volume and be understood."
RESOURCES:
www.voiceandswallowing.com
www.thevoiceworkshop.com
www.vasta.org
www.greatvoice.com
www.voicebank.net
www.tairesources.com
You don't have to sound like James Earl Jones to have vocal
impact. What is important, according to Susan Berkley, the
famous voice of "Thank you for using AT&T" and author of Speak
to Influence, is vocal transparency. "The voiceover artists who
make millions of dollars pitching products on television and
radio do not necessarily do so because of the quality of their
voice, but because they know how to take the voice they have to
enhance the message of the copy writer. I call this quality
'vocal transparency.'" She explains, "To have vocal
transparency, you must first have the best possible instrument
you can, so there are no 'sticking points' when people listen.
Then, take the focus off yourself and place it squarely on the
most important part of all: your message and your affectionate
contact with the audience."
Making a difference in the lives of your audience is done with
your instrument—your voice. With proper breathing, voice
training and vocal hygiene, your voice will be strong, healthy
and you'll master true vocal power.
Diane DiResta is a New York State licensed and
certified speech pathologist, speaker, coach and author of
Knockout Presentations. Her company, DiResta Communications,
Inc., works with organizations that want to communicate with
greater impact in the marketplace and with individuals who want
to communicate more clearly.
For
a demo video, audio tape, and/or press kit, please contact:
DiResta Communications, Inc.
31 E. 32nd. Street, Suite 300, New York, NY 10016
Phone: 212-481-8484 Ext. 312
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E-mail:
info@diresta.com
Web Site: www.diresta.com
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