"The only limit to our realization of tomorrow will be our doubts of today." -- Franklin Delano Roosevelt
"The only limit to our realization of tomorrow will be our doubts of today." -- Franklin Delano Roosevelt
How about this: Produce the Time You Need to Have and Do All You Want
Time for Love, Time for Money: The Complete Time Production System. Workbook Included.
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by Brian Keaney
FROM THE BOOK JACKET:
"Dante looked around, making sure there was no one who might overhear him. Then he leaned forward and, lowering his voice, said, 'I still have dreams.'"
"It was the most shocking thing Bea had ever heard. 'Dr. Sigmundus says that disturbances of the mind which come to people when they sleep are the result of a psychic illness,' she replied."
"It was what she had been taught at school, and for as long as she could remember."
In Tarnegar, a sinister island where the laws of the mysterious Dr. Sigmundus hold sway, dreaming will get you locked up, branded a lunatic and a danger to all who know you.
Dante is a lowly kitchen boy. Bea is the privileged daughter of physicians. They aren't meant to meet or share ideas or, most dangerous of all, their dreams. But with the arrival of a notorious prisoner to the island's asylum, their worlds collide. Together they begin to question whether the promises they've based their lives on have been spun from lies and illusion--and if now is the time to break them.
"The Hollow People" opens a window on the unseen worlds that surround us. It is the first installment in The Promises of Dr. Sigmundus. => http://amzn.to/qP3zzS
Traveling from the known to the unknown requires crossing an abyss of emptiness. We first experience disorientation and confusion. Then, if we are willing to cross the abyss in curious and playful wonder, we enter an expansive and untamed country that has its own rhythm. Time melts and thoughts become stories, music, poems, images, ideas. This is the intelligence of the heart, but by that I don't mean just the seat of our emotions. I mean a vast range of receptive and connective abilities, intuition, innovation, wisdom, creativity, sensitivity, the aesthetic, qualitative and meaning making. It is here that we uncover our purpose and passion.
The future exists only in our imaginations. It is a collective story waiting for our voices to express. That can only happen when you and I are willing to enter the emptiness, listening in the silence until we can understand how to create a future we can befriend.
I am wondering now, dear reader, about you. What are the courageous conversations you need to have with yourself, and how do you need to have them?
May we allow ourselves stillness so we can open our minds to ourselves, and spaciousness so we can allow a moment of rest when all thoughts fly above us like kites in a strong wind.
The Foundations of Computing and the Information Technology Age: A historical, sociological and philosophical enquiry
by John Thornton
EAN:978-0733988486
Format: Paperback
Publisher: Pearson Education Australia
Publication Date: 2007
The Foundations of Computing and the Information Technology Age is a book both for undergraduate computing students and for anyone seeking a deeper understanding of technology in the modern world. Dispensing with simplistic explanations, the book first considers the evolution of the computer from the origins of number to the development of the microprocessor. It goes on to provide a theoretical explanation of computation and a practical demonstration of how a computer works. Using this as background, the text then examines the phenomenon of information technology within the broader context of modern science, culture and civilisation. In this way, the reader is drawn to consider how our technical, materialistic understandings have ignored the underlying reality from which all technology emerges: human consciousness.
RRP $80.95 Our price $26.95 => http://bit.ly/q6kPl3
I think of the paperback game as a summertime entertainment, best played in beach and lake houses and old inns, all of which tend to collect visitors’ random and abandoned books. So the weekend of the Fourth of July seems like a good time to share, review and/or clarify the rules. From here you can bend them to your will and make the game your own.
Here’s what you’ll need to play: slips of paper (index cards work well), a handful of pencils or pens and a pile of paperback books. Any sort of book will do, from a Dostoyevsky to a Jennifer Egan, and from diet guides to the Kama Sutra. But we’ve found it’s especially rewarding to use genre books: mysteries, romance novels, science fiction, pulp thrillers, westerns, the cheesier the better. If you don’t have well-thumbed mass-market paperbacks in your house, you can usually buy a pile from your library, or from a used-book store, for roughly 50 cents a pop.
You vividly remember that special speaker’s message and stories years—or decades—after hearing the talk. It had a huge impact on your life. You want your presentations to be that magical and memorable. You’re a good speaker—perhaps very good—but know you could be even more unforgettable.
Why do some speeches stay in our minds long after the speaker has left the stage? How can you integrate some new elements of outstanding orators?
This session will look at the key elements that create a memorable and repeatable experience for listeners.
You will hear:
• How to “yank ’em in and throw ’em out”—creating that exceptional opening that pulls the audience right up on the stage with you. . .and closing in a way that makes them beg for more.
• Structure—it doesn’t “freeze” you, it “frees” you—why an audience loves transparent structure even when they don’t consciously recognize it.
• Being the story, not telling the story—right, you’ve heard this before, but we’ll tell you exactly how it’s done. . .on Broadway, in novels, and in your presentations.
• Truly speaking to “an audience of one”—what are those magical little phrases and transitions that make each audience member feel you are speaking only to them. . .and in an almost intimate way at that?.
• Voice as a finely tuned instrument—ironically, one of the most ignored assets by many speakers. We’ll show you the way to use your voice like Yo Yo Ma uses the cello.
Get all the details here => http://bit.ly/nrIRd8